The Dark Knight Returns, irritatingly, blew me away somewhat. Irritating because Part 2 isn't on Prime yet, which is a real shame because the proposition of the Joker combined with this animation and scripting team is something I am genuinely excited for.

There are issues here - it is by no means a perfect film. Voice acting took me a little while to feel comfortable with, particularly for Wayne and Gordon, although eventually they slotted into place in my head. The Mutants never truly feel that menacing and the complete lack of capability shown by the police feels a little overblown, even for Gotham. The gang's leader is also a little, well, 90's in design. Between the horns, red eyes, sharpened teeth and clear cannibalistic traits I was half expecting him to turn out to be Dracula; what with all the rain and grime, Blade actually wouldn't have felt out of place as a cameo (universe crossing issues aside). As it is, these clearly abnormal traits are never explained or even really mentioned.

Despite these flaws, however, the core conceit of an ageing, retired Batman feeling himself honour-bound to take up the mantle once more is a refreshing and intriguing spin on the usual Gotham fare. Pacing is handled nicely, with Bruce realistically stumbling back into his alter ego with plenty of road bumps before a triumphant (and intelligent) return. Batman never truly gets back to his glory days, but instead shifts gear to play to his remaining strengths. Its a subtle but clear message that the stakes are a little different to normal.

Interwoven with this semi-origin story is a clever meta-analysis of Batman as perceived by the wider internal society, with a running subplot focusing on whether Batman and similar vigilantes effectively attract or create their nemeses. It cannot be argued that this hasn't been done before (The Dark Knight, anyone?) but the use of TV chat shows and the conclusion of Two-Face's character arc all weave together nicely to add a little more thoughtfulness to the plot than would ever be required for a superhero animation. Plus, telling this story with an aged Bruce Wayne allows for some very clever dissection of why Batman even exists and whether the use of fear as a mechanism of control actually works in Gotham.

Animation is stunningly drawn and very well colour caste. The tone of The Dark Knight Returns is definitely dark, gritty and rough around the edges. The panels are drawn with harsh lines and muted colours, that really emphasise the decay of Gotham and amplify Batman's nightmarish tactics of fear-induced civility. The undercut score and dialogue is similarly roughed up, with plenty of staccato. The result is far more spectacular but creates a wonderful sense of atmosphere.